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8<title>The Devil&#8217;s Dictionary: O</title>
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11
12
13<h1>O</h1>
14
15<p class="entry"><span class="def">oath</span>, <span class="pos">n.</span> In law, a
16solemn appeal to the Deity, made binding upon the conscience by a penalty for
17perjury.</p>
18
19<p class="entry"><span class="def">oblivion</span>, <span class="pos">n.</span> The
20state or condition in which the wicked cease from struggling and the dreary are
21at rest. Fame’s eternal dumping ground. Cold storage for high hopes. A place
22where ambitious authors meet their works without pride and their betters
23without envy. A dormitory without an alarm clock.</p>
24
25<p class="entry"><span class="def">observatory</span>, <span class="pos">n.</span> A
26place where astronomers conjecture away the guesses of their predecessors.</p>
27
28<p class="entry"><span class="def">obsessed,</span> <span class="pos">p.p.</span> Vexed
29by an evil spirit, like the Gadarene swine and other critics. Obsession was once
30more common than it is now. Arasthus tells of a peasant who was occupied by a
31different devil for every day in the week, and on Sundays by two. They were
32frequently seen, always walking in his shadow, when he had one, but were
33finally driven away by the village notary, a holy man; but they took the
34peasant with them, for he vanished utterly. A devil thrown out of a woman by
35the Archbishop of Rheims ran through the trees, pursued by a hundred persons,
36until the open country was reached, where by a leap higher than a church spire
37he escaped into a bird. A chaplain in Cromwell’s army exorcised a soldier’s
38obsessing devil by throwing the soldier into the water, when the devil came to
39the surface. The soldier, unfortunately, did not.</p>
40
41<p class="entry"><span class="def">obsolete</span>, <span class="pos">adj.</span> No longer
42used by the timid. Said chiefly of words. A word which some lexicographer has
43marked obsolete is ever thereafter an object of dread and loathing to the fool
44writer, but if it is a good word and has no exact modern equivalent equally
45good, it is good enough for the good writer. Indeed, a writer’s attitude toward
46“obsolete” words is as true a measure of his literary ability as anything
47except the character of his work. A dictionary of obsolete and obsolescent
48words would not only be singularly rich in strong and sweet parts of speech; it
49would add large possessions to the vocabulary of every competent writer who
50might not happen to be a competent reader.</p>
51
52<p class="entry"><span class="def">obstinate</span>, <span class="pos">adj.</span> Inaccessible
53to the truth as it is manifest in the splendor and stress of our advocacy.</p>
54
55<p>The popular type and exponent of obstinacy is the mule, a most intelligent animal.</p>
56
57<p class="entry"><span class="def">occasional</span>, <span class="pos">adj.</span> Afflicting us with
58greater or less frequency. That, however, is not the sense in which the word is used in the phrase
59“occasional verses,” which are verses written for an “occasion,” such as an anniversary, a celebration or
60other event. True, they afflict us a little worse than other sorts of verse, but their name has no reference to
61irregular recurrence.</p>
62
63<p class="entry"><span class="def">occident</span>, <span class="pos">n.</span> The
64part of the world lying west (or east) of the Orient. It is largely inhabited
65by Christians, a powerful subtribe of the Hypocrites, whose principal
66industries are murder and cheating, which they are pleased to call “war” and
67“commerce.” These, also, are the principal industries of the Orient.</p>
68
69<p class="entry"><span class="def">ocean</span>, <span class="pos">n.</span> A body
70of water occupying about two-thirds of a world made for man—who has no gills.</p>
71
72<p class="entry"><span class="def">offensive</span>, <span class="pos">adj.</span> Generating
73disagreeable emotions or sensations, as the advance of an army against its enemy.</p>
74
75<p>“Were the enemy’s tactics offensive?” the king asked. “I should say so!” replied the unsuccessful
76general. “The blackguard wouldn’t come out of his works!”</p>
77
78<p class="entry"><span class="def">old</span>, <span class="pos">adj.</span> In that
79stage of usefulness which is not inconsistent with general inefficiency, as an <i>old man</i>. Discredited by lapse of time and
80offensive to the popular taste, as an <i>old</i>
81book.</p>
82
83<div class="poem">
84<p class="poetry">“Old books? The devil take them!” Goby said.</p>
85<p class="poetry">“Fresh every day must be my books and bread.”</p>
86<p class="poetry">Nature herself approves the Goby rule</p>
87<p class="poetry">And gives us every moment a fresh fool.</p>
88<p class="citeauth">Harley Shum</p>
89</div>
90
91<p class="entry"><span class="def">oleginous</span>, <span class="pos">adj.</span> Oily,
92smooth, sleek.</p>
93
94<p>Disraeli once described the manner of Bishop Wilberforce as “unctuous, oleaginous,
95saponaceous.” And the good prelate was ever afterward known as Soapy Sam. For
96every man there is something in the vocabulary that would stick to him like a
97second skin. His enemies have only to find it.</p>
98
99<p class="entry"><span class="def">Olympian</span>, <span class="pos">adj.</span> Relating
100to a mountain in Thessaly, once inhabited by gods, now a repository of
101yellowing newspapers, beer bottles and mutilated sardine cans, attesting the
102presence of the tourist and his appetite.</p>
103
104<div class="poem">
105<p class="poetry">His name the smirking tourist scrawls</p>
106<p class="poetry">Upon Minerva’s temple walls,</p>
107<p class="poetry">Where thundered once Olympian Zeus,</p>
108<p class="poetry">And marks his appetite’s abuse.</p>
109<p class="citeauth">Averil Joop</p>
110</div>
111
112<p class="entry"><span class="def">omen</span>, <span class="pos">n.</span> A sign
113that something will happen if nothing happens.</p>
114
115<p class="entry"><span class="def">once</span>, <span class="pos">adv.</span> Enough.</p>
116
117<p class="entry"><span class="def">opera</span>, <span class="pos">n.</span> A play
118representing life in another world, whose inhabitants have no speech but song,
119no motions but gestures and no postures but attitudes. All acting is
120simulation, and the word <i>simulation</i> is from <i>simia</i>, an ape; but in
121opera the actor takes for his model <i>Simia audibilis</i> (or <i>Pithecanthropos
122stentor</i>)&#8212;the ape that howls.</p>
123
124<div class="poem">
125<p class="poetry">The actor apes a man—at least in shape;</p>
126<p class="poetry">The opera performer apes and ape.</p>
127</div>
128
129<p class="entry"><span class="def">Opiate</span>, <span class="pos">n.</span> An
130unlocked door in the prison of Identity. It leads into the jail yard.</p>
131
132<p class="entry"><span class="def">opportunity</span>, <span class="pos">n.</span> A
133favorable occasion for grasping a disappointment.</p>
134
135<p class="entry"><span class="def">oppose</span>, <span class="pos">v.</span> To
136assist with obstructions and objections.</p>
137
138<div class="poem">
139<p class="poetry">How lonely he who thinks to vex</p>
140<p class="poetry">With bandinage the Solemn Sex!</p>
141<p class="poetry">Of levity, Mere Man, beware;</p>
142<p class="poetry">None but the Grave deserve the Unfair.</p>
143<p class="citeauth">Percy P. Orminder</p>
144</div>
145
146<p class="entry"><span class="def">opposition</span>, <span class="pos">n.</span> In
147politics the party that prevents the Government from running amuck by hamstringing it.</p>
148
149<p>The King of Ghargaroo, who had been abroad to study the science of government, appointed
150one hundred of his fattest subjects as members of a parliament to make laws for
151the collection of revenue. Forty of these he named the Party of Opposition and
152had his Prime Minister carefully instruct them in their duty of opposing every
153royal measure. Nevertheless, the first one that was submitted passed unanimously.
154Greatly displeased, the King vetoed it, informing the Opposition that if they
155did that again they would pay for their obstinacy with their heads. The entire
156forty promptly disemboweled themselves.</p>
157
158<p>“What shall we do now?” the King asked. “Liberal institutions cannot be maintained without a
159party of Opposition.”</p>
160
161<p>“Splendor of the universe,” replied the Prime Minister, “it is true these dogs of darkness have
162no longer their credentials, but all is not lost. Leave the matter to this worm of the dust.”</p>
163
164<p>So the Minister had the bodies of his Majesty’s Opposition embalmed and stuffed with straw, put
165back into the seats of power and nailed there. Forty votes were recorded
166against every bill and the nation prospered. But one day a bill imposing a tax
167on warts was defeated—the members of the Government party had not been nailed
168to their seats! This so enraged the King that the Prime Minister was put to
169death, the parliament was dissolved with a battery of artillery, and government
170of the people, by the people, for the people perished from Ghargaroo.</p>
171
172<p class="entry"><span class="def">optimism</span>, <span class="pos">n.</span> The
173doctrine, or belief, that everything is beautiful, including what is ugly,
174everything good, especially the bad, and everything right that is wrong. It is
175held with greatest tenacity by those most accustomed to the mischance of
176falling into adversity, and is most acceptably expounded with the grin that
177apes a smile. Being a blind faith, it is inaccessible to the light of
178disproof—an intellectual disorder, yielding to no treatment but death. It is
179hereditary, but fortunately not contagious.</p>
180
181<p class="entry"><span class="def">optimist</span>, <span class="pos">n.</span> A proponent of the
182doctrine that black is white.</p>
183
184<p>A pessimist applied to God for relief.</p>
185<p>“Ah, you wish me to restore your hope and cheerfulness,” said God.</p>
186<p>“No,” replied the petitioner, “I wish you to create something that would justify them.”</p>
187<p>“The world is all created,” said God, “but you have overlooked something—the mortality of the optimist.”</p>
188
189<p class="entry"><span class="def">oratory</span>, <span class="pos">n.</span> A
190conspiracy between speech and action to cheat the understanding. A tyranny
191tempered by stenography.</p>
192
193<p class="entry"><span class="def">orphan</span>, <span class="pos">n.</span> A
194living person whom death has deprived of the power of filial ingratitude—a
195privation appealing with a particular eloquence to all that is sympathetic in
196human nature. When young the orphan is commonly sent to an asylum, where by
197careful cultivation of its rudimentary sense of locality it is taught to know
198its place. It is then instructed in the arts of dependence and servitude and
199eventually turned loose to prey upon the world as a bootblack or scullery maid.</p>
200
201<p class="entry"><span class="def">orthodox</span>, <span class="pos">n.</span> An ox
202wearing the popular religious joke.</p>
203
204<p class="entry"><span class="def">orthography</span>, <span class="pos">n.</span> The
205science of spelling by the eye instead of the ear. Advocated with more heat
206than light by the outmates of every asylum for the insane. They have had to
207concede a few things since the time of Chaucer, but are none the less hot in
208defence of those to be conceded hereafter.</p>
209
210<div class="poem">
211<p class="poetry">A spelling reformer indicted</p>
212<p class="poetry">For fudge was before the court cicted.</p>
213<p class="poetry">The judge said: “Enough—</p>
214<p class="poetry">His candle we’ll snough,</p>
215<p class="poetry">And his sepulchre shall not be whicted.”</p>
216</div>
217
218<p class="entry"><span class="def">ostrich</span>, <span class="pos">n.</span> A large
219bird to which (for its sins, doubtless) nature has denied that hinder toe in
220which so many pious naturalists have seen a conspicuous evidence of design. The
221absence of a good working pair of wings is no defect, for, as has been
222ingeniously pointed out, the ostrich does not fly.</p>
223
224<p class="entry"><span class="def">otherwise</span>, <span class="pos">adv.</span> No better.</p>
225
226<p class="entry"><span class="def">outcome</span>, <span class="pos">n.</span> A
227particular type of disappointment. By the kind of intelligence that sees in an
228exception a proof of the rule the wisdom of an act is judged by the outcome,
229the result. This is immortal nonsense; the wisdom of an act is to be juded by
230the light that the doer had when he performed it.</p>
231
232<p class="entry"><span class="def">outdo</span>, <span class="pos">v.t.</span> To
233make an enemy.</p>
234
235<p class="entry"><span class="def">out-of-doors</span>, <span class="pos">n.</span> That
236part of one’s environment upon which no government has been able to collect
237taxes. Chiefly useful to inspire poets.</p>
238
239<div class="poem">
240<p class="poetry">I climbed to the top of a mountain one day</p>
241<p class="poetry">To see the sun setting in glory,</p>
242<p class="poetry">And I thought, as I looked at his vanishing ray,</p>
243<p class="poetry">Of a perfectly splendid story.</p>
244<p class="poetry">‘Twas about an old man and the ass he bestrode</p>
245<p class="poetry">Till the strength of the beast was o’ertested;</p>
246<p class="poetry">Then the man would carry him miles on the road</p>
247<p class="poetry">Till Neddy was pretty well rested.</p>
248<p class="poetry">The moon rising solemnly over the crest</p>
249<p class="poetry">Of the hills to the east of my station</p>
250<p class="poetry">Displayed her broad disk to the darkening west</p>
251<p class="poetry">Like a visible new creation.</p>
252<p class="poetry">And I thought of a joke (and I laughed till I cried)</p>
253<p class="poetry">Of an idle young woman who tarried</p>
254<p class="poetry">About a church-door for a look at the bride,</p>
255<p class="poetry">Although ‘twas herself that was married.</p>
256<p class="poetry">To poets all Nature is pregnant with grand</p>
257<p class="poetry">Ideas—with thought and emotion.</p>
258<p class="poetry">I pity the dunces who don’t understand</p>
259<p class="poetry">The speech of earth, heaven and ocean.</p>
260<p class="citeauth">Stromboli Smith</p>
261</div>
262
263<p class="entry"><span class="def">ovation</span>, <span class="pos">n.</span> n
264ancient Rome, a definite, formal pageant in honor of one who had been
265disserviceable to the enemies of the nation. A lesser “triumph.” In modern
266English the word is improperly used to signify any loose and spontaneous
267expression of popular homage to the hero of the hour and place.</p>
268
269<div class="poem">
270<p class="poetry">“I had an ovation!” the actor man said,</p>
271<p class="poetry">But I thought it uncommonly queer,</p>
272<p class="poetry">That people and critics by him had been led</p>
273<p class="poetry">By the ear.</p>
274<p class="poetry">The Latin lexicon makes his absurd</p>
275<p class="poetry">Assertion as plain as a peg;</p>
276<p class="poetry">In “ovum” we find the true root of the word.</p>
277<p class="poetry">It means egg.</p>
278<p class="citeauth">Dudley Spink</p>
279</div>
280
281<p class="entry"><span class="def">overeat</span>, <span class="pos">v.</span> To
282dine.</p>
283
284<div class="poem">
285<p class="poetry">Hail, Gastronome, Apostle of Excess, Well skilled to overeat without distress!</p>
286<p class="poetry">Thy great invention, the unfatal feast,</p>
287<p class="poetry">Shows Man’s superiority to Beast.</p>
288<p class="citeauth">John Boop</p>
289</div>
290
291<p class="entry"><span class="def">overwork</span>, <span class="pos">n.</span> A
292dangerous disorder affecting high public functionaries who want to go fishing.</p>
293
294<p class="entry"><span class="def">owe</span>, <span class="pos">v.</span> To have
295(and to hold) a debt. The word formerly signified not indebtedness, but possession;
296it meant “own,” and in the minds of debtors there is still a good deal of
297confusion between assets and liabilities.</p>
298
299<p class="entry"><span class="def">oyster</span>, <span class="pos">n.</span> A
300slimy, gobby shellfish which civilization gives men the hardihood to eat
301without removing its entrails! The shells are sometimes given to the poor.</p>
302
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